Tag: Illustrations

‘The Boar’s Head’ Gets All Pictoral

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I had a wonderful surprise yesterday. It turns out my story in the upcoming ‘Once Upon a Christmas’ anthology from Christmas Press Picture Books rated its own illustration from the overly talented Ingrid Kallick.

It’s like magic. I wrote the words and its like someone saw what was in my head (which may or may not mean that The Voices were right all along, but that’s for another time).

If you’re wondering what the illustration for The Boar’s Head looks like, here ’tis.

And if you’re in the market for a little persons’ collection of Christmas stories for this season, here you go.

 

Here Be Dragons…

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…and here, and here, and here too.

There’s an immutable law which says whenever you read a fantasy novel (of a thick nature is a bonus, but not necessary) you will at one point or another flick to the front few pages looking for a map.  Blame Tolkien if you like, but I’d rather thank Tolkien.  By their nature, fantasy novels take place in other worlds, or at least realities so removed from our own explanation is needed to guide us through it as well as the narrative.

But to me, the maps provide another purpose; they’re a visual accompaniment to further draw us into the world.

There’s a piece on the Guardian at the moment talking about the art of Ian Miller (not the ‘Dry Tost’ kind in my Big Fat Greek Wedding).  Ian has a long history in the SFF genre, and was at least in part responsible for my love of the genre.  His illustrations in Games Workshop’s early Warhammer Fantasy books held me enraptured for hours as I at first drunk in every detail, and then wondered what lay just of the horizon of the drawings.

Erfberg  2011.  Dip pen-ink - watercolour -paper .     This is just the one from a plethora of castle and cityscape images. For some reason I can't stop drawing either. It started with a drawing I did of Gormenghast back in the seventies. Six versions on and several 'After Gormenghasts' I'm still hooked .  M John Harrison's  book Viriconium only enforced this  obsession.

Erfberg, 2011: Ian Miller

And this isn’t an aspect of the genre which is lost to bygone times.  The Goliath series by Scott Westerfeld include a number of just beautiful illustrations throughout each book which delight even the 30 something me.

I don’t think it’s coincidence of the presence of illustrations in both children’s literature and fantasy.  I’ve always held that adults who love fantasy and sci fi are just children who refused to grow up.  We hold onto the delightful, and will use any sense open to us to enjoy what we love.

This has been another disconnected rant from yours truly.

Michael